Please use this identifier to cite or link to this item:
http://hdl.handle.net/10267/28395
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.advisor | Huebner, Timothy S. | en_US |
dc.contributor.author | Tanner, Ben | en_US |
dc.coverage.spatial | Lat/Long | en_US |
dc.date.accessioned | 2016-11-02T21:22:08Z | - |
dc.date.available | 2016-11-02T21:22:08Z | - |
dc.date.issued | 2005 | en_US |
dc.identifier.uri | http://hdl.handle.net/10267/28395 | - |
dc.description | Scanned and Uploaded by Will Clinton '19 | en_US |
dc.description.abstract | Memphis is located in a region that historically has been heavily influenced by Evangelical Christianity. Evangelicals have held a virtual monopoly over the religious culture of the South. Evangelical churches, compared to other Christian churches, are especially subject to changing trends in worship and musical styles. Given their theological and historical identity, Evangelicals are in a unique position to choose from a wide range of options or even create a new style of worship from various existing styles. This paper focuses on the worship styles of seven churches in the Memphis area- Bellevue Baptist, First Baptist, Hope Presbyterian, Second Presbyterian, Christ United Methodist, St. Peters Anglican, and Faith Anglican-that typify various approaches to worship and worship music in Evangelical churches in Memphis. | en_US |
dc.language.iso | en_US | en_US |
dc.publisher | Memphis, Tenn. : Rhodes College | en_US |
dc.rights | All materials in this collection are copyrighted by Rhodes College and subject to Title 17 of the U.S. Code. This documentation is provided for online research and access purposes only. Permission to use, copy, modify, distribute and present this material, without fee, and without written agreement, is hereby granted for educational, non-commercial purposes only. The Rhodes College Archives reserves the right to decide what constitutes educational and commercial use. In all instances of use, acknowledgement must be given to Rhodes College Archives and Special Collections, Memphis, TN. For information regarding permission to publish this material, please email the Archives at archives@rhodes.edu. | - |
dc.rights | All materials in this collection are copyrighted by Rhodes College and subject to Title 17 of the U.S. Code. This documentation is provided for online research and access purposes only. Permission to use, copy, modify, distribute and present this material, without fee, and without written agreement, is hereby granted for educational, non-commercial purposes only. The Rhodes College Archives reserves the right to decide what constitutes educational and commercial use. In all instances of use, acknowledgement must be given to Rhodes College Archives and Special Collections, Memphis, TN. For information regarding permission to publish this material, please email the Archives at archives@rhodes.edu. | en_US |
dc.subject | Memphis Center | en_US |
dc.subject | Student research | en_US |
dc.subject | Institute for Regional Studies | en_US |
dc.subject | Papers | en_US |
dc.subject | Text | - |
dc.title | Current Musical Trends in Memphis Area Evangelical Churches | en_US |
dc.title.alternative | Rhodes Institute for Regional Studies Student Papers | en_US |
dc.type | Other | en_US |
Appears in Collections: | Rhodes Institute for Regional Studies |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
Tanner_Ben_ocr.pdf | 17.09 MB | Adobe PDF | View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.