Memphis World Memphis World Publishing Co. 1955-03-18 Raymond F. Tisby MEMPHIS WORLD AMERICA'S STANDARD RACE JOURNAL The South's Oldest and Leading Colored Semi-Weekly Newspaper Published by MEMPHIS WORLD PUBLISHING CO. Every TUESDAY and FRIDAY at 164 BEALE—Phone 8-4030 Entered in the Post Office at Memphis, Tenn., as second-class mail under the Act of Congress, March 1, 1870 Member of SCOTT NEWSPAPER SYNDICATE W. A. Scott, II, Founder; C. A. Scott General Manager Raymond F. Tisby Managing Editor Mrs. Rosa Brown Bracy Public Relations and Advertising William C. Weathers Circulation Promotion The MEMPHIS WORLD to an independent newspaper—non-sectarian and non-partisan, printing news unbiasedly and supporting those things it believes to be of interest to its readers and opposing those things against the interest of its readers. SUBSCRIPTION RATES: Year $5.00 — 6 Months $3.00 — 3 Months $1.50 (In Advance) National Negro Newspaper Week National Negro Newspaper Week is being hailed with the enthusiasm it so richly deserves. It is encouraging to note reactive appreciations as well as those suggestions coming in from laymen who realize the importance of the Fourth Estate as well as their duties in supporting our newspapers. The first efforts of the Negro press started off with handwritten bulletins which their forceful and determined editors dared to call newspapers. This was a crude method of disseminating thought and opinion, but it betrayed the bold spirits in the bosoms of forgotten men who in that early era realized the power of the press. This event marks the 128 Anniversary of the Negro press. There are at present 150 Negro newspapers; sever of these are semi-weeklies; 1 daily. Two have circulations above 200,000; three others have about 25,000, making a total approximating 2 million copies weekly. Just as other segments of citizens, we have opinions and native reactions to the currency of government and history. There are those in every group endowed with the native gift of creative powers and authentic and consistent narration. Group thinking makes up the powerful unit of standardized thinking-and from this source sentiments are molded and the populace is influenced. National Newspaper Week should be the occasion of our inquiry into the demands of the times, that we may better serve our people and our country. Those not actually engaged in newspapering also have a function. They are on the sidelines, they are our sounding boards and the sponsors without which no successful venture could be attempted. Managing Editor, William Gordon of The Atlanta Daily World who was featured in a special lecture at Atlanta's Hungry Club on Wednesday possibly climaxed Newspaper Week with its most lasting and well deserved laurels. Along in other vocations, the Negro newspaper ran boast of some strong and bold pioneers who blazed this trail in the days that tried men's souls. High up on the scrolls of honor their names are enscribed and to this, day one still hears the illustrious names of William Monroe Trotter, T. Thomas Fortune, W. E. B. DuBois and others who made the world better by having left it a contribution. The Negro press made bricks without straw; with plenty of straw now coming in "it doth not yet appear what we shall be." ALONG THE COLONIAL FRONT The muchpublicized speech of the prime minister, Sir Winston Churchill, was reported by the Manchester Guardian last week as "The most thorough and effective study of defense in the age of the hydrogen bomb we have yet had." That comment just about sizes up the opinion of a majority of white colorphobic imperialists on that "the mediocrity of the prime the speech. Today, Aneurin Bevan claimed minister's thinking had been concealed by the majesty of his language." Bevan also suggested that the course Britain was following in making hydrogen bombs and joining the peripheral plan of bombing Communist states was at the dictation of the United States. The Communist and extreme left comments on the speech were scathing. But, although Britain's action in making bombs and joining the U. S.A. in manning bases around the world, which the speech announced as Britain's intention, may not have been actually and literally dictated by America, there is no doubt at all that a speech of such importance would have been submitted to the United States lead ers before delivery. Sir Winston Churchill is entitled to his own opinions regarding the number of hydrogen bombs—if any —possessed, by the Soviets and to the probable effects of his speech on both friends and foes, potential and otherwise, but there is no doubt at all in my mind that the speech has done an immense amount of harm to the prestige not only of Britain but of all Western European powers. And it has lowered Sir Winston's prestige in the eyes of all people except a minority of white colonialist colorphobes. To be able to say, "We can obliterate your country if you attack us" and then sit down to a good dinner and talk the situation over as Sir Winston said he would like to do, is surely the very height of stupidity in an atomic age. For one thing, if the Soviets managed to drop three large H. bombs on the British Isle any British leader who sat down to dinner at all would have very little except piles of radio-active bubble and some millions of starving people as materials for bargaining. And there would be the matter of a suddenly liberated Empire—or empires because all colonial empires would be rendered owner-less after the colonial powers were obliterated. The Communists know this just as well as the prime minister of Brittan. And when all the belliger ants have their bases prepared and bombers ready for the "away," the bargainers will reach either a stalemate or a mutual suicide pact. In either case, the greater issue of relief and rehabilitation of two thirds of mankind now more in need than ever, has been left completely alone. Yet this is the most important of all bargaining issues and is the one which should concern the leaders of Western Christian Europeans civilization most. This is the issue Sir Winston should offer to discuss now around a dinner table—a dinner table set for a billion and a half people. Like all his important speeches, the Prime Minister's latest one was timed and delivered with an object view. In the case of that speech the object was to strengthen the hands, of President Eisenhower, Dulles and all the European supporters of European Defense. And it was particularly hoped that the expression of unity and strength at this time would influence all Asian, Arab and African peoples who may be hesitating between East and West now that the great revolutionary movements of colored races is to be canalized into definite physical channels leading to relief and rehabilitation of a majority of mankind at Bandoeg in April. SPREADING DEATH AND DESOLATION AND CALLING IT PEACE The muchpublicized speech of the prime minister, Sir Winston Churchill, was reported by the Manchester Guardian last week as "The most thorough and effective study of defense in the age of the hydrogen bomb we have yet had." That comment just about sizes up the opinion of a majority of white colorphobic imperialists on that "the mediocrity of the prime the speech. Today, Aneurin Bevan claimed minister's thinking had been concealed by the majesty of his language." Bevan also suggested that the course Britain was following in making hydrogen bombs and joining the peripheral plan of bombing Communist states was at the dictation of the United States. The Communist and extreme left comments on the speech were scathing. But, although Britain's action in making bombs and joining the U. S.A. in manning bases around the world, which the speech announced as Britain's intention, may not have been actually and literally dictated by America, there is no doubt at all that a speech of such importance would have been submitted to the United States lead ers before delivery. Sir Winston Churchill is entitled to his own opinions regarding the number of hydrogen bombs—if any —possessed, by the Soviets and to the probable effects of his speech on both friends and foes, potential and otherwise, but there is no doubt at all in my mind that the speech has done an immense amount of harm to the prestige not only of Britain but of all Western European powers. And it has lowered Sir Winston's prestige in the eyes of all people except a minority of white colonialist colorphobes. To be able to say, "We can obliterate your country if you attack us" and then sit down to a good dinner and talk the situation over as Sir Winston said he would like to do, is surely the very height of stupidity in an atomic age. For one thing, if the Soviets managed to drop three large H. bombs on the British Isle any British leader who sat down to dinner at all would have very little except piles of radio-active bubble and some millions of starving people as materials for bargaining. And there would be the matter of a suddenly liberated Empire—or empires because all colonial empires would be rendered owner-less after the colonial powers were obliterated. The Communists know this just as well as the prime minister of Brittan. And when all the belliger ants have their bases prepared and bombers ready for the "away," the bargainers will reach either a stalemate or a mutual suicide pact. In either case, the greater issue of relief and rehabilitation of two thirds of mankind now more in need than ever, has been left completely alone. Yet this is the most important of all bargaining issues and is the one which should concern the leaders of Western Christian Europeans civilization most. This is the issue Sir Winston should offer to discuss now around a dinner table—a dinner table set for a billion and a half people. Like all his important speeches, the Prime Minister's latest one was timed and delivered with an object view. In the case of that speech the object was to strengthen the hands, of President Eisenhower, Dulles and all the European supporters of European Defense. And it was particularly hoped that the expression of unity and strength at this time would influence all Asian, Arab and African peoples who may be hesitating between East and West now that the great revolutionary movements of colored races is to be canalized into definite physical channels leading to relief and rehabilitation of a majority of mankind at Bandoeg in April. THE AMERICAN WAY I'LL TAKE ONE! PRIVATE ENTERPRISE SHARE OF STOCK THRIFTY CHAP WHO SAVES HIS MONEY FOR INVESTMENT THAT'S MEMORIAL AND UNCONSTITUTIONAL AND BESIDES THERE'S NOTHING IN IT FOR POLITICAL PLANNER His Real Objection! LETTERS TO THE Editor TO THE WORLD EDITOR: Until a solution is found for the traffic congestion problem, let us keep some of the cars off the streets by having a more rigid driver's license code. William R. Sullivan, 720 West Tenth Place, Los Angeles 15, California. TRAFFICE SOLUTION? TO THE WORLD EDITOR: Until a solution is found for the traffic congestion problem, let us keep some of the cars off the streets by having a more rigid driver's license code. William R. Sullivan, 720 West Tenth Place, Los Angeles 15, California. YW Jumps In charge of the 10 attractive Young Senior Y-Teens who will serve as ushers on the night of the affair. These young ladies are from the five high schools-Melrose, B. T. Washington, Hamilton, Douglass and Manassas. They will be dressed in striking evening attire. Mrs. Robinson has been associated with the YWCA for over seven years and has served as chaperon on the educational tours sponsored by the YWCA for the Y-Teens each year following the Potato-Chip Drive. It is under her leadership that the out-standing YTeen Mother-Daughter banquet of Douglass has become a part of the Community Activities. Tickets may be secured from the Y-Teen Clubs or at the YWCA. Don't fail to see this striking extravaganza which will be followed by the crowning of the Queen and Princess of the Centennial and the tehhnicolor movie starring Danny Kay," Hans Christian Anderson." All for the price of fifty cents. Proceeds will go to the National YWCA in New York as part of the Memphis Birthday gift to the YWCA during its 100 Anniversary. AKA Presents will go for scholarships for Memphis girls, to aid the A. K. A.'s Health Project that aids patients at Oaksville Tuberculosis Hospital and for many other worthy civic activities. Senate Kills and extending corporation and excite levies for 27 months instead of the 12 months requested by Mr. Eisenhower. The excise taxes apply to such items as ciragettes, whiskey, beer and other luxuries. Five Democrats joined 45 Republicans in voting against the tax cut proposal. Only one RepublicanSen. William Langer of North Dakota—voted with 43 Democrats in favor of the move. Noted Baptists held top ranking position in the Baptist movement including 18 years as president of the Mississippi General Baptist State Convention, treasurer of the national finance committee of the National Baptist Convention, member of the BTU Board, moderator of the Union Missionary Baptist. District Association of Cleveland, corresponding secretary of the Ohio State Baptist Convention and corresponding secretary of the Riverside Educational Baptist Association of Memphis for 35 years. Survivors include a wife, Mrs. Mary Wade Perkins; a son Gus Perkins of St. Louis, and other relatives. CARE FOR YOUR HAIR Thin, Breaking Off Hair, For Dandruff and Itching Scalp, Try Reid's Super-Six Scalp Treatment. It is Mild and recommended for children with "Hard to Grow" hair. It beautifies and gives your hair that glamorousgirl look. Will send you a 12-weeks treatment for $2.50 on a money back guarantee. Send your name and address, pay postman COD, plus postage or send cash and save postage. H. A. REID PRODUCTS CO. P. O. Box 53, Station E, Atlanta, Georgia The Inheritors By JANE ABBOTT Copyright, 1955, by Jane Abbott, Distributed by King Features Syndicate If the three heirs to old Josh Trevitt's sizeable upstate New fork farm remain on it for at least three months after his death each will inherit onethird of the land. Those leaving sooner must relinquish their share or shares to those remaining, final resident to be awarded the entire farm. So when old Josh died, his kin were notified and copies of his will mailed them. In the late spring, we find Jennie Todd, an inheritor, a spinster, at the Trevitt place, malting ready her quarters in the rambling old farmhouse, and being assisted by Wick Middleton, executor of the Trevitt estate. Cindy Todd, a pretty little motherless teen-ager, joins her Aunt Jenny at the farm, to file claim for her "missing" father's share of the land. She's disappointed at finding this aunt a timid soul, but her day brightens when she meets with Gary Norbeck. who has been assigned a wooded acre on the place. Then, with much flair, beneficiary Hester Wilmar arrives accompanied by her daughter Enid. Hester finds everything about the place distasteful, but schemes to win the major land award. And as this wilderness is no place for the daughter of a socially ambitious mother. Hester plans to speed Enid off to Europe. STEPPING back from his easel to study his work of the morning, Gary Norbeck gave voice to a sharp sound of anger. These eyes he had painted were not Cindy's, young, candid, innocent of guile; they were Ursula's—the mouth, full-lipped, lifting at one corner, was Ursula's. With some violence he threw down his brush. Was his brother's wife still so much a part of him that his hands portrayed her without his willing? He had finished painting in the background yesterday, had thought he had done it well—that the canvas might be good enough to send to Arturo Bressi, the art dealer in Boston with whom he had become well acquainted a few years ago. Today he had done the slender figure, the uplifted head, the face.... And now, this, Ursula, challenging him with eyes and mouth. He strode down the length pf the room, shaken by disgust at himself. To have held her in his memory, yet knowing what she was.... A knowledge that had come slowly and in the end had driven him to hide here in this out-of-the-way spot, not only from Ursula, but from the man he had let himself become. A betrayer of those instincts of honor and loyalty that were his by upbringing and heritage. A killer—if not in the eyes of the law, in his own. His arm had been raised to strike Alec, his brother—he had been too blinded with fury to know that his grandfather had come into the room, had thrown himself between them, until he saw the old man crumple to the floor. Whether he actually had struck his grandfather or not had not mattered. The doctor had pronounced it a heart attack, but he was dead, the gentle, loving man who had been father and mother to him.... Back to him rushed the memory of that night after his grandfather's funeral when he had walked out from his home in Salem, a fugitive, carrying no more than the least he needed for decency in appearance. A floorboard in the upstairs hall must have creaked under his step— when he reached the lower hall Ursula, who with Alec was staying at the house until the funeral services were over, was behind him, a thin robe thrown over her nightgown. She had whispered: "Gary, where are you going at this hour?" He had moved on toward the door and she had run after him, flung her arms around him, holding him motionless, pressed her face, her body, against him. "Gary, don't go! We'll find ways. ... Alec has to go out of town next week...." Her soft mouth had lifted to his. He remembered how he had flung her from him, so violently that, but for the newel post at which she caught, she must have fallen to the floor. And he remembered her soft laugh as he opened the door. "I'll find you, darling!" She might, he had known, if he rode Pullman trains, registered at hotels, so he had walked through that night and the next day, and the next, over any road as long as it was unfrequented, stopping nights in obscure houses with "Tourists" signs hung out. Then the storm, the fever burning in him, the lights of a farmhouse and old Jehosophat opening the door. "Come in, come in, young fellow! You're soaking wet! You're shaking like a leaf!" Warmed blankets, warming drinks and the old man's rough hands fussing over him.... Before he was able to be up and around winter had set in. "Might as well stay here, son, if you've no place in mind to go. Makes it company for me." He had stayed. Jehosophat had asked him no questions as to where he had come from or where he was headed for, that stormy night. Jehosophat probably had taken it for granted that he was without home or family. As he was. There had been plenty of work for him to do for the old man and he had liked doing it. He had money enough with him to share the expenses of their simple living. Spring had come, and old Josh had said: "Mebbe you'd like to move on, son. Young fellows get restless, I know. Though I'd sort of hate to see you go. I'd miss you." He could not go, after that. He had sent for painting materials, books, subscribed to magazines and newspapers. The summer before Jehosophat had urged him to build the cabin. "It'd be a nice place for you to come to do your pictures." A girl appeared in the open doorway with a suddenness that made Gary think crazily she was Ursula Thiel. The green slacks she wore—Ursula almost always wore green, the green of her eyes. Then with a sharp relief he saw that this girl's eyes were blue. "I'm sorry...." She said it quickly with some embarrassment as if she had interrupted him in some very private, occupation. "I stopped to ask—how does one get to the other side of this creek? I crossed it on a bridge farther down but I can't find any place up here." "There's a shallow stretch and some flat stones—the path next to the cabin leads to it." He spoke brusquely. But she did not go. She asked: "You're Gary Norbeck, the man who Inherited part of the farm? I'm Enid Wilmer. I came with my mother a few days ago." Then she took a step forward into the cabin, "This is nice—my mother thinks you're a farmhand, but you're not, are you? Oh!" For over his shoulder she saw the canvas on the easel. "You're an artist. You're painting Cindy." She walked to the easel. "No. It looks like Cindy—the figure and the slacks—but it isn't!" "No, it isn't." Gary snapped the words out. The girl studied the canvas interestedly. "Whoever it is—she's lovely! Cindy's beautiful, I think, but this girl has more in her face..." "A great deal more!" He said it savagely. Then he strode to it, tore it from its frame and across, threw the pieces to the floor. Enid took a step away from him, looking at him and then down at the ruin of his work. "Oh, why did you do that! You ought to be pleased, proud, that you painted it." "I can assure you I am not in the least pleased or proud." Gary saw the puzzled expression on her face. He added: "I don't usually go to such extreme lengths—I apply turpentine—but in this instance I had my own reasons for tearing it up, and they did not spring from pride." Enid knelt down on the floor and put the torn pieces together. "I think I understand—she's a real person, someone you know—and you hate her. You were hating her when I stopped at the door. At least you looked as if you were hating something. I know—I feel like that sometimes but it is about things I can't tear up. So I just don't do anything. All I've ever done all my life, it seems, is to keep ray mouth shut—just agree to everything." She looked over the cabin. "All alone like this, don't you get lonely sometimes?" Gary wondered if this were a hint for an invitation to call again, but before he could decide she added, in a tone of only speaking aloud what she was thinking: "You'd get to know your own self awfully well!" She walked toward the door but at the door she paused, looked at him over her shoulder. "I take it you've met Cindy but why don't you come up to the farmhouse and meet the rest of the family—Aunt Jennie and my mother? After all, we're all here together—we should be at least on speaking terms. It's all fantastic enough as it is!" She smiled. "It'd be nice if some day you would cut the grass—there's no one else, and it bothers mother. She likes everything to look tidy." With that she went out of the door and along the path toward the creek. SYNOPSIS By JANE ABBOTT Copyright, 1955, by Jane Abbott, Distributed by King Features Syndicate If the three heirs to old Josh Trevitt's sizeable upstate New fork farm remain on it for at least three months after his death each will inherit onethird of the land. Those leaving sooner must relinquish their share or shares to those remaining, final resident to be awarded the entire farm. So when old Josh died, his kin were notified and copies of his will mailed them. In the late spring, we find Jennie Todd, an inheritor, a spinster, at the Trevitt place, malting ready her quarters in the rambling old farmhouse, and being assisted by Wick Middleton, executor of the Trevitt estate. Cindy Todd, a pretty little motherless teen-ager, joins her Aunt Jenny at the farm, to file claim for her "missing" father's share of the land. She's disappointed at finding this aunt a timid soul, but her day brightens when she meets with Gary Norbeck. who has been assigned a wooded acre on the place. Then, with much flair, beneficiary Hester Wilmar arrives accompanied by her daughter Enid. Hester finds everything about the place distasteful, but schemes to win the major land award. And as this wilderness is no place for the daughter of a socially ambitious mother. Hester plans to speed Enid off to Europe. STEPPING back from his easel to study his work of the morning, Gary Norbeck gave voice to a sharp sound of anger. These eyes he had painted were not Cindy's, young, candid, innocent of guile; they were Ursula's—the mouth, full-lipped, lifting at one corner, was Ursula's. With some violence he threw down his brush. Was his brother's wife still so much a part of him that his hands portrayed her without his willing? He had finished painting in the background yesterday, had thought he had done it well—that the canvas might be good enough to send to Arturo Bressi, the art dealer in Boston with whom he had become well acquainted a few years ago. Today he had done the slender figure, the uplifted head, the face.... And now, this, Ursula, challenging him with eyes and mouth. He strode down the length pf the room, shaken by disgust at himself. To have held her in his memory, yet knowing what she was.... A knowledge that had come slowly and in the end had driven him to hide here in this out-of-the-way spot, not only from Ursula, but from the man he had let himself become. A betrayer of those instincts of honor and loyalty that were his by upbringing and heritage. A killer—if not in the eyes of the law, in his own. His arm had been raised to strike Alec, his brother—he had been too blinded with fury to know that his grandfather had come into the room, had thrown himself between them, until he saw the old man crumple to the floor. Whether he actually had struck his grandfather or not had not mattered. The doctor had pronounced it a heart attack, but he was dead, the gentle, loving man who had been father and mother to him.... Back to him rushed the memory of that night after his grandfather's funeral when he had walked out from his home in Salem, a fugitive, carrying no more than the least he needed for decency in appearance. A floorboard in the upstairs hall must have creaked under his step— when he reached the lower hall Ursula, who with Alec was staying at the house until the funeral services were over, was behind him, a thin robe thrown over her nightgown. She had whispered: "Gary, where are you going at this hour?" He had moved on toward the door and she had run after him, flung her arms around him, holding him motionless, pressed her face, her body, against him. "Gary, don't go! We'll find ways. ... Alec has to go out of town next week...." Her soft mouth had lifted to his. He remembered how he had flung her from him, so violently that, but for the newel post at which she caught, she must have fallen to the floor. And he remembered her soft laugh as he opened the door. "I'll find you, darling!" She might, he had known, if he rode Pullman trains, registered at hotels, so he had walked through that night and the next day, and the next, over any road as long as it was unfrequented, stopping nights in obscure houses with "Tourists" signs hung out. Then the storm, the fever burning in him, the lights of a farmhouse and old Jehosophat opening the door. "Come in, come in, young fellow! You're soaking wet! You're shaking like a leaf!" Warmed blankets, warming drinks and the old man's rough hands fussing over him.... Before he was able to be up and around winter had set in. "Might as well stay here, son, if you've no place in mind to go. Makes it company for me." He had stayed. Jehosophat had asked him no questions as to where he had come from or where he was headed for, that stormy night. Jehosophat probably had taken it for granted that he was without home or family. As he was. There had been plenty of work for him to do for the old man and he had liked doing it. He had money enough with him to share the expenses of their simple living. Spring had come, and old Josh had said: "Mebbe you'd like to move on, son. Young fellows get restless, I know. Though I'd sort of hate to see you go. I'd miss you." He could not go, after that. He had sent for painting materials, books, subscribed to magazines and newspapers. The summer before Jehosophat had urged him to build the cabin. "It'd be a nice place for you to come to do your pictures." A girl appeared in the open doorway with a suddenness that made Gary think crazily she was Ursula Thiel. The green slacks she wore—Ursula almost always wore green, the green of her eyes. Then with a sharp relief he saw that this girl's eyes were blue. "I'm sorry...." She said it quickly with some embarrassment as if she had interrupted him in some very private, occupation. "I stopped to ask—how does one get to the other side of this creek? I crossed it on a bridge farther down but I can't find any place up here." "There's a shallow stretch and some flat stones—the path next to the cabin leads to it." He spoke brusquely. But she did not go. She asked: "You're Gary Norbeck, the man who Inherited part of the farm? I'm Enid Wilmer. I came with my mother a few days ago." Then she took a step forward into the cabin, "This is nice—my mother thinks you're a farmhand, but you're not, are you? Oh!" For over his shoulder she saw the canvas on the easel. "You're an artist. You're painting Cindy." She walked to the easel. "No. It looks like Cindy—the figure and the slacks—but it isn't!" "No, it isn't." Gary snapped the words out. The girl studied the canvas interestedly. "Whoever it is—she's lovely! Cindy's beautiful, I think, but this girl has more in her face..." "A great deal more!" He said it savagely. Then he strode to it, tore it from its frame and across, threw the pieces to the floor. Enid took a step away from him, looking at him and then down at the ruin of his work. "Oh, why did you do that! You ought to be pleased, proud, that you painted it." "I can assure you I am not in the least pleased or proud." Gary saw the puzzled expression on her face. He added: "I don't usually go to such extreme lengths—I apply turpentine—but in this instance I had my own reasons for tearing it up, and they did not spring from pride." Enid knelt down on the floor and put the torn pieces together. "I think I understand—she's a real person, someone you know—and you hate her. You were hating her when I stopped at the door. At least you looked as if you were hating something. I know—I feel like that sometimes but it is about things I can't tear up. So I just don't do anything. All I've ever done all my life, it seems, is to keep ray mouth shut—just agree to everything." She looked over the cabin. "All alone like this, don't you get lonely sometimes?" Gary wondered if this were a hint for an invitation to call again, but before he could decide she added, in a tone of only speaking aloud what she was thinking: "You'd get to know your own self awfully well!" She walked toward the door but at the door she paused, looked at him over her shoulder. "I take it you've met Cindy but why don't you come up to the farmhouse and meet the rest of the family—Aunt Jennie and my mother? After all, we're all here together—we should be at least on speaking terms. It's all fantastic enough as it is!" She smiled. "It'd be nice if some day you would cut the grass—there's no one else, and it bothers mother. She likes everything to look tidy." With that she went out of the door and along the path toward the creek. CHAPTER TWELVE By JANE ABBOTT Copyright, 1955, by Jane Abbott, Distributed by King Features Syndicate If the three heirs to old Josh Trevitt's sizeable upstate New fork farm remain on it for at least three months after his death each will inherit onethird of the land. Those leaving sooner must relinquish their share or shares to those remaining, final resident to be awarded the entire farm. So when old Josh died, his kin were notified and copies of his will mailed them. In the late spring, we find Jennie Todd, an inheritor, a spinster, at the Trevitt place, malting ready her quarters in the rambling old farmhouse, and being assisted by Wick Middleton, executor of the Trevitt estate. Cindy Todd, a pretty little motherless teen-ager, joins her Aunt Jenny at the farm, to file claim for her "missing" father's share of the land. She's disappointed at finding this aunt a timid soul, but her day brightens when she meets with Gary Norbeck. who has been assigned a wooded acre on the place. Then, with much flair, beneficiary Hester Wilmar arrives accompanied by her daughter Enid. Hester finds everything about the place distasteful, but schemes to win the major land award. And as this wilderness is no place for the daughter of a socially ambitious mother. Hester plans to speed Enid off to Europe. STEPPING back from his easel to study his work of the morning, Gary Norbeck gave voice to a sharp sound of anger. These eyes he had painted were not Cindy's, young, candid, innocent of guile; they were Ursula's—the mouth, full-lipped, lifting at one corner, was Ursula's. With some violence he threw down his brush. Was his brother's wife still so much a part of him that his hands portrayed her without his willing? He had finished painting in the background yesterday, had thought he had done it well—that the canvas might be good enough to send to Arturo Bressi, the art dealer in Boston with whom he had become well acquainted a few years ago. Today he had done the slender figure, the uplifted head, the face.... And now, this, Ursula, challenging him with eyes and mouth. He strode down the length pf the room, shaken by disgust at himself. To have held her in his memory, yet knowing what she was.... A knowledge that had come slowly and in the end had driven him to hide here in this out-of-the-way spot, not only from Ursula, but from the man he had let himself become. A betrayer of those instincts of honor and loyalty that were his by upbringing and heritage. A killer—if not in the eyes of the law, in his own. His arm had been raised to strike Alec, his brother—he had been too blinded with fury to know that his grandfather had come into the room, had thrown himself between them, until he saw the old man crumple to the floor. Whether he actually had struck his grandfather or not had not mattered. The doctor had pronounced it a heart attack, but he was dead, the gentle, loving man who had been father and mother to him.... Back to him rushed the memory of that night after his grandfather's funeral when he had walked out from his home in Salem, a fugitive, carrying no more than the least he needed for decency in appearance. A floorboard in the upstairs hall must have creaked under his step— when he reached the lower hall Ursula, who with Alec was staying at the house until the funeral services were over, was behind him, a thin robe thrown over her nightgown. She had whispered: "Gary, where are you going at this hour?" He had moved on toward the door and she had run after him, flung her arms around him, holding him motionless, pressed her face, her body, against him. "Gary, don't go! We'll find ways. ... Alec has to go out of town next week...." Her soft mouth had lifted to his. He remembered how he had flung her from him, so violently that, but for the newel post at which she caught, she must have fallen to the floor. And he remembered her soft laugh as he opened the door. "I'll find you, darling!" She might, he had known, if he rode Pullman trains, registered at hotels, so he had walked through that night and the next day, and the next, over any road as long as it was unfrequented, stopping nights in obscure houses with "Tourists" signs hung out. Then the storm, the fever burning in him, the lights of a farmhouse and old Jehosophat opening the door. "Come in, come in, young fellow! You're soaking wet! You're shaking like a leaf!" Warmed blankets, warming drinks and the old man's rough hands fussing over him.... Before he was able to be up and around winter had set in. "Might as well stay here, son, if you've no place in mind to go. Makes it company for me." He had stayed. Jehosophat had asked him no questions as to where he had come from or where he was headed for, that stormy night. Jehosophat probably had taken it for granted that he was without home or family. As he was. There had been plenty of work for him to do for the old man and he had liked doing it. He had money enough with him to share the expenses of their simple living. Spring had come, and old Josh had said: "Mebbe you'd like to move on, son. Young fellows get restless, I know. Though I'd sort of hate to see you go. I'd miss you." He could not go, after that. He had sent for painting materials, books, subscribed to magazines and newspapers. The summer before Jehosophat had urged him to build the cabin. "It'd be a nice place for you to come to do your pictures." A girl appeared in the open doorway with a suddenness that made Gary think crazily she was Ursula Thiel. The green slacks she wore—Ursula almost always wore green, the green of her eyes. Then with a sharp relief he saw that this girl's eyes were blue. "I'm sorry...." She said it quickly with some embarrassment as if she had interrupted him in some very private, occupation. "I stopped to ask—how does one get to the other side of this creek? I crossed it on a bridge farther down but I can't find any place up here." "There's a shallow stretch and some flat stones—the path next to the cabin leads to it." He spoke brusquely. But she did not go. She asked: "You're Gary Norbeck, the man who Inherited part of the farm? I'm Enid Wilmer. I came with my mother a few days ago." Then she took a step forward into the cabin, "This is nice—my mother thinks you're a farmhand, but you're not, are you? Oh!" For over his shoulder she saw the canvas on the easel. "You're an artist. You're painting Cindy." She walked to the easel. "No. It looks like Cindy—the figure and the slacks—but it isn't!" "No, it isn't." Gary snapped the words out. The girl studied the canvas interestedly. "Whoever it is—she's lovely! Cindy's beautiful, I think, but this girl has more in her face..." "A great deal more!" He said it savagely. Then he strode to it, tore it from its frame and across, threw the pieces to the floor. Enid took a step away from him, looking at him and then down at the ruin of his work. "Oh, why did you do that! You ought to be pleased, proud, that you painted it." "I can assure you I am not in the least pleased or proud." Gary saw the puzzled expression on her face. He added: "I don't usually go to such extreme lengths—I apply turpentine—but in this instance I had my own reasons for tearing it up, and they did not spring from pride." Enid knelt down on the floor and put the torn pieces together. "I think I understand—she's a real person, someone you know—and you hate her. You were hating her when I stopped at the door. At least you looked as if you were hating something. I know—I feel like that sometimes but it is about things I can't tear up. So I just don't do anything. All I've ever done all my life, it seems, is to keep ray mouth shut—just agree to everything." She looked over the cabin. "All alone like this, don't you get lonely sometimes?" Gary wondered if this were a hint for an invitation to call again, but before he could decide she added, in a tone of only speaking aloud what she was thinking: "You'd get to know your own self awfully well!" She walked toward the door but at the door she paused, looked at him over her shoulder. "I take it you've met Cindy but why don't you come up to the farmhouse and meet the rest of the family—Aunt Jennie and my mother? After all, we're all here together—we should be at least on speaking terms. It's all fantastic enough as it is!" She smiled. "It'd be nice if some day you would cut the grass—there's no one else, and it bothers mother. She likes everything to look tidy." With that she went out of the door and along the path toward the creek. "Negro Press Will Live Through Public Desire For Truth," Gordon The Negro press, despite the promise of racial integration, will have a long life, with a reading audience of more than two billion members of the darker races "who are rising to a position where they want only the truth," a well known journalist declared yesterday. William Gordon, Managing Editor of the Atlanta Daily World, was speaking to a session of the Hungry Club and a WERD audience, in a joint celebration of Negro Newspaper Week. The speech, made in the Banquet Room of the Butler Street YMCA, was accompanied by tribute to the World and its founders and a pointed session in which the Negro press in general was discussed. Warren Cochrane, Executive Secretary of the YMCA, paid tribute to the World's contribution to the Atlanta community, and introduced three generations of the paper's founders: Mrs. W. A. Scott, Sr. her grandson, William A. Scott, III, and C. A. Scott; Editor of the World. Mr. Gordon, a Nieman Fellow, who spoke of "Desegregation and the Negro Press," outlined a history of the Negro newspapers in the United States. He explained the role of the Negro press and the changes in character which accompanied liberal tendencies toward Negroes; and wound up with a conviction that: "The newspaper is a public institution. It actually belongs to the community. "The Negro Press has a bright future," he said. "In these times of social changes, the press will continue to reiterate what it has done during the past century. Moreto tell and more than two billion over, the Negro Press has a story people are waiting to hear that story. "These people include the more than three hundred million in India more than 80 million in Pakistan and the more than 80 million in Japan and not without, of course, the millions of blacks in Africa. Like the Negro in America, these people have also been suppressed peoples who are rising to a position where they want only the truth, and the truth today can come only from a democratic press." "The Negro press in America," Gordon said, "represents fully that philosophy." The speaker said he felt that the battle against segregation was being won, but complete integration would take a long time. During this period, he said, inconsistences, not touched by the major press, will arise. Minorities will not at first trust the major press and will continue to take its problems to the Negro papers. The speech, which attempted to cover as much as the Negro newspaper story as possible, did not dodge other issues. Gordon told his, audience that "The Negro editor makes no claim to perfection as is true of the metropolitan press." "The press," he said, "is made of human beings whose emotional reactions are similar to those of people whose skins are of no different pigmentation. "Among us are Republicans, Democrats, Protestants, Catholics and Hebrews; conservative and radicals. Different members of our press hold different points of view on methods and techniques for extracting the race from the network of discriminatory devices designed to keep us in a permanent status of second class citizenship. The dinner was attended by an overflow group, including a Journalism class from Morris Brown College, several Japanese visitors and a group from Clark College. THREE GENERATIONS The Negro press, despite the promise of racial integration, will have a long life, with a reading audience of more than two billion members of the darker races "who are rising to a position where they want only the truth," a well known journalist declared yesterday. William Gordon, Managing Editor of the Atlanta Daily World, was speaking to a session of the Hungry Club and a WERD audience, in a joint celebration of Negro Newspaper Week. The speech, made in the Banquet Room of the Butler Street YMCA, was accompanied by tribute to the World and its founders and a pointed session in which the Negro press in general was discussed. Warren Cochrane, Executive Secretary of the YMCA, paid tribute to the World's contribution to the Atlanta community, and introduced three generations of the paper's founders: Mrs. W. A. Scott, Sr. her grandson, William A. Scott, III, and C. A. Scott; Editor of the World. Mr. Gordon, a Nieman Fellow, who spoke of "Desegregation and the Negro Press," outlined a history of the Negro newspapers in the United States. He explained the role of the Negro press and the changes in character which accompanied liberal tendencies toward Negroes; and wound up with a conviction that: "The newspaper is a public institution. It actually belongs to the community. "The Negro Press has a bright future," he said. "In these times of social changes, the press will continue to reiterate what it has done during the past century. Moreto tell and more than two billion over, the Negro Press has a story people are waiting to hear that story. "These people include the more than three hundred million in India more than 80 million in Pakistan and the more than 80 million in Japan and not without, of course, the millions of blacks in Africa. Like the Negro in America, these people have also been suppressed peoples who are rising to a position where they want only the truth, and the truth today can come only from a democratic press." "The Negro press in America," Gordon said, "represents fully that philosophy." The speaker said he felt that the battle against segregation was being won, but complete integration would take a long time. During this period, he said, inconsistences, not touched by the major press, will arise. Minorities will not at first trust the major press and will continue to take its problems to the Negro papers. The speech, which attempted to cover as much as the Negro newspaper story as possible, did not dodge other issues. Gordon told his, audience that "The Negro editor makes no claim to perfection as is true of the metropolitan press." "The press," he said, "is made of human beings whose emotional reactions are similar to those of people whose skins are of no different pigmentation. "Among us are Republicans, Democrats, Protestants, Catholics and Hebrews; conservative and radicals. Different members of our press hold different points of view on methods and techniques for extracting the race from the network of discriminatory devices designed to keep us in a permanent status of second class citizenship. The dinner was attended by an overflow group, including a Journalism class from Morris Brown College, several Japanese visitors and a group from Clark College. EXEMPLIFIES DEMOCRATIC PHILOSOPHY The Negro press, despite the promise of racial integration, will have a long life, with a reading audience of more than two billion members of the darker races "who are rising to a position where they want only the truth," a well known journalist declared yesterday. William Gordon, Managing Editor of the Atlanta Daily World, was speaking to a session of the Hungry Club and a WERD audience, in a joint celebration of Negro Newspaper Week. The speech, made in the Banquet Room of the Butler Street YMCA, was accompanied by tribute to the World and its founders and a pointed session in which the Negro press in general was discussed. Warren Cochrane, Executive Secretary of the YMCA, paid tribute to the World's contribution to the Atlanta community, and introduced three generations of the paper's founders: Mrs. W. A. Scott, Sr. her grandson, William A. Scott, III, and C. A. Scott; Editor of the World. Mr. Gordon, a Nieman Fellow, who spoke of "Desegregation and the Negro Press," outlined a history of the Negro newspapers in the United States. He explained the role of the Negro press and the changes in character which accompanied liberal tendencies toward Negroes; and wound up with a conviction that: "The newspaper is a public institution. It actually belongs to the community. "The Negro Press has a bright future," he said. "In these times of social changes, the press will continue to reiterate what it has done during the past century. Moreto tell and more than two billion over, the Negro Press has a story people are waiting to hear that story. "These people include the more than three hundred million in India more than 80 million in Pakistan and the more than 80 million in Japan and not without, of course, the millions of blacks in Africa. Like the Negro in America, these people have also been suppressed peoples who are rising to a position where they want only the truth, and the truth today can come only from a democratic press." "The Negro press in America," Gordon said, "represents fully that philosophy." The speaker said he felt that the battle against segregation was being won, but complete integration would take a long time. During this period, he said, inconsistences, not touched by the major press, will arise. Minorities will not at first trust the major press and will continue to take its problems to the Negro papers. The speech, which attempted to cover as much as the Negro newspaper story as possible, did not dodge other issues. Gordon told his, audience that "The Negro editor makes no claim to perfection as is true of the metropolitan press." "The press," he said, "is made of human beings whose emotional reactions are similar to those of people whose skins are of no different pigmentation. "Among us are Republicans, Democrats, Protestants, Catholics and Hebrews; conservative and radicals. Different members of our press hold different points of view on methods and techniques for extracting the race from the network of discriminatory devices designed to keep us in a permanent status of second class citizenship. The dinner was attended by an overflow group, including a Journalism class from Morris Brown College, several Japanese visitors and a group from Clark College. Point-Four Program Is Broadcast In Ethiopia The technical cooperation (Point 4) program was broadened in Ethiopia in the six-month period ended last December 31, according to the semi-annual report on the Mutual Security program which President Eisenhower sent to Congress Monday covering that period. In his letter of transmittal, Mr. Eisenhower told Congress that there has been "a significant acceleration of operations in Asia, where the bulk of the free world's population occupies its greatest land mass, and where Communism is stepping up its efforts of expansion." He added that the "worldwide programs of military aid, economic development and technical cooperation are increasing the military security and economic progress of the United States and our cooperating partners in the free world." At the end of 1954 technical cooperation programs were being carried on by the United States jointly with fifteen countries and eleven territories in the Near East, South Asia, and Africa, nineteen countries and nine territories in Latin America, and nine countries in the Far East. The purpose of the program is to share technical knowledge and skills for the betterment of the free world. In addition to Ethiopia, Liberia and Libya are other independent countries in Africa which are jointly carrying on such programs with the United States. The report states that the expanded program in Ethiopia will include new projects in teacher training, the establishment of additional local institutions for developing competent administrators and technicians, and an increase in scholarship grants for bringing trainees to the United States. In addition, the report discloses plans were made for a 'community' development project to assist the Ethiopian Government with its program of distributing public lands for agricultural resettlement and development. After nearly two years of planning, the report reveals, the Eritrean Vocational Trades School was opened in September with a beginning class of 100. The threeyear curriculum will include sheetmetal work, forge and foundry practice, machine-shop instruction, and courses in auto mechanics, masonry, electricity and plumbing. With the assistance of an education specialist provided by the Foreign Operations Administration, 600 experimental copies of the first illustrated Ethiopian (Amharic) word book and reader were completed in October. Later, this book will be revised in final form and reprinted by Ethiopians in an edition of 50,000 copies to serve schools throughout Ethiopia. Other developments in the program in Ethiopia covered by the report were: The program to enlarge Ethiopia's handicraft industry was launched with FOA aid when the first handicraft center was opened in Ansela to promote the use of native wools in the weaving of rugs and blankets. Arrangements were completed to open Ethiopia's first rural health center at the town of Colladuba near Gondar. The local population will construct the center under the direction of a contractor whose services will be financed by Joint United States-Ethiopia funds. An agreement was reached on the scope of technical assistance, requested by the Ethiopian Government, for developing an improved water supply and sewage system for Addis Ababa. With a number of improvements already put into effect in the field of agricultural production, the technical cooperation program in Liberia, the report states, has been redirected to give more attention to education, public health and public works. With United States assistance, the report says, a highway department has been established in Liberia, and most of a basic staff has been trained. The program presently provides for on-the-job training in the preparation of specifications and the letting of contracts for a series of roads which are being financed under an Export-Import Bank loan. During the second half of 1954, FOA contracted with Prairie View A. and M. College for an expanded program of vocational training in Liberia. Prairie View, the report says, will help train Liberian teachers in a variety of subjects, including building construction trades, metal trades and clerical and secretarial skills. The college, it was added, also will seek to train a larger body of skilled nongovernmental workers in Liberia. The report discloses that the United Kingdom has expressed an interest in further United States assistance in meeting growing problems in British East Africa comprising Kenya, Uganda, and the Trust Territory of Tanganyika. Kenya is in a particularly, difficult position because expenses in connection with the Mau Mau emergency are absorbing so much of its resources that necessary work in the educational and agricultural fields cannot be maintained at a proper level. Uganda, the report states, is facing new possibilities for industrial development but has few skilled workmen among the local peoples. At the request of the United Kingdom, the report states, the United States Operations Mission in London sent representatives to that region and worked out an agreement on a series of projects, in technical, education, agriculture, and transportation. Negotiations are under way with Tugers University to carry out the educational, and possibly the agricultural, aspects of the program. As British territories in West Africa — Nigeria, the Gold Coast, Sierra Leone, and the Gambia — assume responsibility for governing themselves, the report states far more trained local people are needed, particularly in the technical fields, to staff both government and Industry. With the agreement of the United Kingdom, the report reveals, F. O. A. representatives visited these territories and assisted local officials in drafting a number of projects in agriculture, technical education, community development, and transportation. KNOW HOW IT FEELS TO HELP WEAR THIS BUTTON PROUDLY! Death Traps A Gambler Night rain! Cruel rain! Clawing at the windshield. Streaking like crazy under the rhythmic swishswish of dead wiper blades. Country heeds rain? Sure! But not like this. Homebound—alone—half blinded —the driver slows to twenty. Then fifteen. Headlight glare pounds at his tired eyes. If only he could see for sure a little of the road. If only those were live, new wiper blades! His wife had urged him yesterday—again—to have a pair slipped on. Takes almost no time at all. But he forgot. Rain drumming, drumming, on the roof of the car. Even side windows drenched blind. His car swerves sharply to a gust of wind. That does it! He'll pull off the road until the rain stops! But he can't see a spot. Headlights close behind him. A horn blasting. The threat of being crushed from the rear frightens him. Why hasn't his serviceman suggested new blades? He sees him often. Blades don't cost too much. Let's see. Maybe a couple of bucks a pair. Could be more for curved windshields. He'd give twice that now—yes, or three times—or anything. Now he knows! He has gambled his life against a mere two or three bucks. Seems stupid. Neighbor Jones, he remembers, carries in his car a spare pair of blades to slip on first time the old ones start streaking. Kinda smart! There is a service station somewhere ahead. Get blades there. A trucker's stop, with coffee and food. Could use a cup or two of coffee. How many miles? Coming again! Those blurs of maddening light. Ridges of water streaking beneath his wiper blades grab that light. Twist it to fiery rainbows. He hugs what he hopes is his side of the road. The heavy truck roars past. His car shivers. Safe! Dear God! He missed that one! How long will it rain. He turns on the radio. The rain slows to a drizzle. But the streaks are still there. Rain stops briefly. A snorting truck tosses a torrent of blinding road muck against his windshield. The muck streaks worse! He clutches the wheel. Stares wildly at wierd patterns writhing on the glass. Looks like he's trapped—trapped by his weather-beaten wiper blades. More rain! Hard rain. More lights looming ahead! He braces himself. Dead blades. Streakers! Treacherous things. Very next chance he'll change them. Can't risk the wife and kids getting caught in spots like this. Wonderful pals, that family of his. Twin balls of fire zoom closer. If only he could see! Pinwheels of blazing light tear at his tortured eyes. Blind him completely. He grips the wheel in panic. Sweat streams down his face. Te scream's a prayer as his car bounces off the mammoth truck and rolls. "Funny thing," said the cop to the ambulance man. "When I first got to the car, I thought he was talkin'. But it was the crazy car radio. Still runnin'. Our highway safety chief broadcastin'—tellin' us how wiper blades don't really wear our. Warnin' they all just sort of dry up. Look OK, but lose their bounce. Then-start streakin'. "This is it, ail right," the cop went on. "Darndest feelin' I ever had Poor devil, there in the car! His neck all twisted out o' shape. And me thinkin' he was doin' the talkin'. Pity he couldn't have heard it all—yesterday!' Get the -get Specialized tablet, approved by more doctors, liked by more mothers and children than any other brand. Orange flavored. World's Largest Selling Aspirin For Children A DOCTOR'S PRESCRIPTION FOR THE SCALP Your hair roots are in your scalp. The condition of your hair does often depend heavily on the natured health of your scalp. Years ago, Doctor Carnot invented a medicated tar formula called Carbonoel which is mixed with Sulphur. Resoricia and Balsam of Peru. Carbonoel is such a strong, powerful antispectic and does such fine work in helping an itchy, bumpy and externally irritated scalp, that many doctors regard it highly and prescribe it for many scalp troubles. 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